The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Allah jang Palsoe (Malay for The False God) is a 1919 stage drama from the Dutch East Indies that was written by the ethnic Chinese author Kwee Tek Hoay, based on E. Phillips Oppenheim's short story "The False Gods". Over six acts, the Malay-language play follows two brothers, one a devout son who holds firmly to his morals and personal honour, the other a man who worships money and prioritises personal gain. The two learn over the course of a decade that money (the titular false god) is not the path to happiness. Kwee Tek Hoay's first stage play, Allah jang Palsoe was written as a realist response to whimsical contemporary theatre. Though the published stageplay sold poorly and the play was deemed difficult to perform, Allah jang Palsoe found success on the stage. By 1930 it had been performed by various ethnic Chinese troupes to popular acclaim, and had pioneered a body of work by authors such as Lauw Giok Lan, Tio Ie Soei, and Tjoa Tjien Mo. In 2006 the script for the play, which continues to be performed, was republished with updated spelling by the Lontar Foundation.

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Joseph Grimaldi as Clown
Joseph Grimaldi (1778–1837) was an English actor, comedian, dancer, and the Regency era's most successful entertainer. He popularised and expanded the role of "Clown" in the harlequinade that formed a part of British pantomimes during the 1800s, and became a key pantomime performer at the Drury Lane, Sadler's Wells and Covent Garden theatres. While a boy, he appeared on stage at Drury Lane as "Little Clown" in the pantomime The Triumph of Mirth; or, Harlequin's Wedding. Other successful roles at the theatre followed, but he left in 1806 to take up theatrical residencies at the Covent Garden and Sadler's Wells theatres. As he matured, he began performing as Clown, for which character he created the whiteface make-up design still used in pantomime and by many other clowns today. The numerous injuries he received as a result of his energetic performances eventually led to a decline in his health and to his semi-retirement in 1823. Living in obscurity during his final years, he became an impoverished alcoholic. Grimaldi died at home in Islington, aged 59, having outlived his wife and his actor son Joseph Samuel.

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Thomas Babington Macaulay, 1st Baron Macaulay
The business of the dramatist is to keep out of sight and let nothing appear but his characters.

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